↑ R. I. Page, Life in Anglo-Saxon England (London: Batsford, 1970), pp. 159-60.
↑ D. Starkey, Henry VIII: A European Court in England (London: Collins & Brown in association with the National Maritime Museum, Greenwich, 1991), p. 154.
1 2 Peter Burke, Popular Culture in Early Modern Europe (London: Billing, 1978), pp. 3, 17-19 and 28.
↑ D. C. Price, Patrons and Musicians of the English Renaissance (Cambridge: Cambridge University Press, 1981), p. 5.
↑ J. Wainwright, P. Holman, From Renaissance to Baroque: Change in Instruments and Instrumental Music in the Seventeenth Century (Aldershot: Ashgate, 2005).
1 2 3 4 B. Sweers, Electric Folk: The Changing Face of English Traditional Music (Oxford: Oxford University Press, 2005), pp. 45-9.
↑ G. Boyes, The Imagined Village: Culture, Ideology, and the English Folk Revival (Manchester: Manchester University Press, 1993), p. 214.
↑ W. B. Sandys, Christmas Carols Ancient and Modern (London, 1833); W. Chappell, A Collection of National English Airs (London, 1838) and R. Bell, Ancient Poems, Ballads and Songs of the Peasantry of England (London, 1846).
↑ J. Broadwood, Old English Songs, As Now Sung by the Peasantry of the Weald of Surrey and Sussex, and Collected by One Who Has Learnt Them by Hearing Them Sung Every Christmas from Early Childhood, by the Country People, Who Go About to the Neighbouring Houses, Singing, or 'Wassailing' as It Is Called, at that Season. The Airs Are Set to Music Exactly as They Are Now Sung, to Rescue Them from Oblivion, and to Afford a Specimen of Genuine Old English Melody: and the Words Are Given in Their Original Rough State, with an Occasional Slight Alteration To Render the Sense Intelligible (London, 1843).
1 2 3 H. Carpenter and M. Prichard, The Oxford Companion to Children's Literature (Oxford: Oxford University Press, 1984), pp. 363-4, 383.
1 2 R. M. Dorson, The British Folklorists: a History (London, Taylor & Francis, 1999), p. 67.
1 2 A. White, Old London street cries; and, The cries of to-day: with heaps of quaint cuts including hand-coloured frontispiece / Cries of to-day (London: Field & Tuer, The Leadenhall Press, 1885).
1 2 I. Opie and P. Opie, The Oxford Dictionary of Nursery Rhymes (Oxford: Oxford University Press, 1951, 2nd edn., 1997), pp. 30-1, 47-8, 128-9 and 299.
